Criticism
The network's principal directors and other officers are appointed by the State, and so are the top officials at local conventional television stations in mainland China; nearly all of them are restricted to broadcasting within their own province or municipality. Editorial independence is subject to government policy considerations, and as a result, it has been charged with being "propaganda aimed at brainwashing the audience" in its history and news programmes in a letter written by a number of Chinese intellectuals who also called for a boycott of state media was posted on a US-based website and has circulated through Chinese websites.
Journalists working for CCTV-NEWS, the network's English-language international channel, are under constant pressure to present a positive account of China, according to Anne-Marie Brady's study published in 2008. "In August 2005, a series of items reported factually on coal mining disaster in China; soon after the channel's leaders received a warning from the Ministry of Foreign Affairs that its reports were harming China's international image. Following this incident, senior editorial staff and journalists were all forced to write self-criticisms."
Brady says that while the channel's equipment is state-of-the-art, the employees are not well trained in how to use it, so there are frequent errors during broadcast. "The political controls on the station contribute to a general low level of morale and initiative among station staff," she writes.
A recent study done by the observer of Chinese film and television, Ying Zhu, suggests that “CCTV is full of serious-minded creators who regularly experience bouts of self-doubt, philosophical ambivalence, and in some cases, clinical depression.” During her extensive interviews with key CCTV players, Zhu notes that “Certain common themes, about ideals distorted or altogether thwarted by commercial and political pressure, emerged.”
Read more about this topic: China Central Television
Famous quotes containing the word criticism:
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
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