Culture
The folk culture of Chile has mostly Spanish origins, especially the huaso culture of the central part of the country, as it arose in the colonial period due to cattle ranching. It could therefore be considered an offshoot of Spanish popular culture of the 17th an 18th centuries as are the folk cultures of the rest of Latin America and also, its direct descendents, Andalusian and Castilian folk cultures. The Andalusian forms in the huaso dress is apparent to Europeans and the music and dances show Spanish origins, even though both have been adapted and are distinct from dress, music and dance in Spain today.
The ranches called fundos, where the huasos lived and worked show strong similarity with Spanish vernacular architecture, especially in the canal roofs and the interior courtyards. The fundo is now thought of as traditional Chilean architecture and is associated with the huaso.
As well as the huaso culture of the central part of the country can be seen the German, Chilote, Croatian and Magallanic culture in the south, and the Andean culture in the north.
Chile's Nueva Canción movement in modern Chilean folk culture is adapted from the folk music of the north, not of the brass bands but of the panpipes and quenas. The traditional Chilean folk music of the huasos were also popularised, particularly the tonadas, folk songs sung with a guitar, mainly on the topics of love. Several folk groups who dress in huaso costume became famous nationwide.
The folk culture that is mainly associated with the Chilean national identity is that of the huasos as that is where the Chilean state was form and it spread northwards and southwards in the late 19th century.
Read more about this topic: Chilean People
Famous quotes containing the word culture:
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)