Criticism
Critics of Chien's ideas, such as Li Ao, tend to focus on his superficial knowledge of non-Chinese currents of thoughts when he wrote his treatises on cultural studies, and his lack of objective, scientific method-based, defense of traditional Chinese culture. Wang Yongzu (Wong Young-tsu) condemns Chien's own bias as "19th century traditionalist" in his "A Comment on Chien Mu's Treatise on Chinese Scholarships During the Qing Dynasty" (錢穆論清學史述評) being unable to view 19th century currents of thoughts with contemporary (20th century) perspectives. It could be argued, however, the opposition is based upon the critics' support of the New Culture Movement's legacies, which Chien explicitly rejected.
Another recurring theme from Ch'ien's critics, from the 1930s onwards, concerns his defense of traditional Chinese political system, headed by a monarch but with the government filled by examinations-based mandarins, as a representative form of government, as a simplistic fantasy.
In his survey, Traditional Government in Imperial China: A Critical Analysis Ch'ien describes the basic constitutive elements of China's traditional government as it evolved. He concentrates upon those dynasties he considers China's most representative: the Han, Tang, Song, Ming and Qing; and critically analyzes and compares their governmental organization, civil service examination system, taxation and defence.
Read more about this topic: Ch'ien Mu
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“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
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“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
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“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
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