Chichester Festival Production History - 1990s

1990s

1990

• The Merry Wives of Windsor by William Shakespeare, directed by Michael Rudman
• The Power and the Glory, adapted by Denis Cannan from the novel by Graham Greene, directed by Tim Luscombe
• The Silver King by Henry Arthur Jones and Henry Herman, directed by Peter Wood
• Rumours by Neil Simon, directed by Michael Rudman
• Born Again, music by Jason Carr, libretto by Julian Barry & Peter Hall, based on the play Rhinoceros by Eugene Ionesco, directed by Peter Hall
• Thérèse Raquin by Emile Zola, translation by Nicholas Wright, directed by David Leveaux
• Eurydice by Jean Anouilh, translated by Peter Meyer, directed by Michael Rudman
• 70, Girls, 70, book by David Thompson & Norman L. Martin, music by John Kander, lyrics by Fred Ebb, based on the play Breath of Spring by Peter Coke, adapted by Joe Masteroff, directed by Paul Kerryson
• My Mother Said I Never Should by Charlotte Keatley, directed by Annie Castledine
• Scenes from a Marriage by Ingmar Bergman, translated by Alan Blair, directed by Rita Russek

1991

• Arsenic and Old Lace by Joseph Kesselring, directed by Annie Castledine
• Henry VIII by William Shakespeare, directed by Ian Judge
• Tovarich directed by Patrick Garland
• Preserving Mr Panmure directed by Peter Wood
• Point Valaine by Noël Coward, directed by Tim Luscombe
• The Sisterhood directed by Tony Britton
• Valentine's Day directed by Gillian Lynne
• Adam was a Gardener directed by Caroline Sharman
• Talking Heads directed by Alan Bennett

1992

• Coriolanus by William Shakespeare, directed by Tim Supple
• Venus Observed directed by James Roose Evans
• King Lear in New York directed by Patrick Garland
• She Stoops to Conquer by Oliver Goldsmith, directed by Peter Wood
• Me and My Girl directed by Ian Rickson
• Double Take directed by Hugh Wooldridge
• Nijinsky - Death of a Faun directed by Jane McCulloch
• Vita & Virginia directed by Patrick Garland
• Cain directed by Edward Hall

1993

• Getting Married by George Bernard Shaw, directed by Tim Supple
• Relative Values by Noël Coward, directed by Tim Luscombe
• Pickwick directed by Patrick Garland
• The Matchmaker by Thornton Wilder, directed by Patrick Mason
• Carrington directed by Annie Castledine
• Rope directed by Keith Baxter
• Elvira '40 directed by Patrick Garland

1994

• The Rivals by Richard Brinsley Sheridan, directed by Richard Cottrell
• Pygmalion by George Bernard Shaw, directed by Patrick Garland
• The Schoolmistress directed by Matthew Francis
• Noel/Cole: Let's Do It directed by Jeff Thacker and David Kernan
• A Doll's House directed by Annie Castledine
• Dangerous Corner by J.B. Priestley, directed by Keith Baxter
• Three Sisters by Anton Chekhov, directed by Lisa Forellp

1995

• Hadrian the Seventh by Peter Luke, directed by Terry Hands
• Hobson's Choice by Harold Brighouse, directed by Frank Hauser
• The School for Scandal by Richard Brinsley Sheridan, directed by Richard Cottrell
• The Miser by Molière, directed by Nicholas Broadhurst
• The Visit by Friedrich Dürrenmatt, directed by Terry Hands
• Taking Sides by Ronald Harwood, directed by Harold Pinter
• A Word from Our Sponsor directed by Alan Ayckbourn
• Playing the Wife directed by Richard Clifford
• The Hothouse by Harold Pinter, directed by David Jones
• Monsieur Amilcar directed by Tim Luscombe

1996

• Love for Love by William Congreve, directed by Ian Judge
• Mansfield Park directed by Michael Rudman
• Beethoven's 10th directed by Joe Harmston
• When We Are Married by J.B. Priestley, directed by Jude Kelly
• Fortune's Fool directed by Gale Edwards
• Simply Disconnected directed by Richard Wilson
• Talking Heads directed by Alan Bennett
• Uncle Vanya by Anton Chekhov, directed by Bill Bryden
• Hedda Gabler by Henrik Ibsen, directed by Lindy Davies
• Beatrix directed by Patrick Garland
• The Handyman directed by Christopher Morahan
• It Could Be Any One Of Us directed by Alan Ayckbourn

1997

• The Admirable Crichton by J.M. Barrie, directed by Michael Rudman
• Lady Windermere's Fan by Oscar Wilde, directed by Richard Cottrell
• Blithe Spirit by Noël Coward,
• Our Betters directed by Michael Rudman
• The Magistrate by Arthur Wing Pinero, directed by Nicholas Broadhurst
• After October directed by Keith Baxter
• Nocturne for Lovers directed by Kado Kostzer
• Tallulah directed by Michael Rudman
• Suzanna Andler directed by Lindy Davies
• Misalliance by George Bernard Shaw, directed by Frank Hauser
• Electra by Sophocles, directed by David Leveaux

1998

• Saturday, Sunday ... and Monday directed by Jude Kelly
• Racing Demon Christopher Morahan
• Chimes at Midnight directed by Patrick Garland
• Katherine Howard
• Loot directed by David Grindley
• Song of Singapore directed by Roger Redfarn
• The Glass Menagerie by Tennessee Williams, directed by Jacob Murray

1999

• The Importance of Being Earnest by Oscar Wilde, directed by Christopher Morahan
• Semi-Detached by David Turner, directed by Christopher Morahan
• Easy Virtue by Noël Coward, directed by Maria Aitken
• The Man Who Came to Dinner by Moss Hart and George S. Kaufman, directed by Joe Dowling
• The King of Prussia directed by Sean Holmes
• Insignificance directed by Loveday Ingram
• Nymph Errant music and lyrics by Cole Porter, libretto by Romney Brent, from the novel by James Laver, directed by Roger Redfarn
• The School of Night directed by Jack Shepherd
• The Retreat from Moscow directed by Christopher Morahan