Background
After the commercial and critical disappointment of Chicago 13, and the departure of guitarist Donnie Dacus, Chicago decided that a new strategy was in order. Instead of incorporating another guitarist into the band, they instead hired on Chris Pinnick as a session player and live performer. They also tried a new producer, this time Tom Dowd, who had worked with Aretha Franklin, Cream, Eric Clapton, and Toto. With Dowd taking the reins, and with Chicago abandoning the ill-advised dance club atmosphere that permeated the last album, the team recorded a lean, more streamlined record which would, predictably, be called Chicago XIV. It may have been a response to the under-produced, New Wave efforts on the radio at the time. The album was easily the band's least orchestrated effort to date. Still, it wasn't a perfect marriage, with Dowd having to shepherd a group whose members were not all on the same wavelength or headspace.
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