In Popular Culture
- Novels set in Chiba include: Neuromancer by William Gibson (set in Chiba City), Ningen Shikkaku by Osamu Dazai (Funabashi), and Nogiku no Haka by Sachio Itō (Matsudo).
- Manga (comics) representations include: Be Free!, Chameleon, Kyō Kara Ore Wa!!, Makuhari (set in Chiba city), Makuhari Saboten Campus (Chiba city), Susume!! Pirates, and Urayasu Tekkin Kazoku (Urayasu).
- Anime (animation) representations include: Chikyū Bōei Kazoku (set in Funabashi), Battle Programmer Shirase (Narashino), and Zegapain (Urayasu).
- TV series representations include: Kisarazu Cat's Eye (set in Kisarazu), Mio Tsukushi (Chōshi), Beach Boys (filmed in Tateyama and Shirahama (now Minamiboso) and Yappari Neko ga Suki (Chiba city).
- Various rock bands have roots that stem from Chiba prefecture, including the popular X Japan, Plastic Tree, girugamesh and Ellegarden.
- Toshi, Yoshiki, Taiji and Pata of X Japan fame, Keiko Terada and Miki Nakamura of Show-Ya fame, Masaki Aiba of Arashi, Yamashita Tomohisa of News, Tanaka Koki and Jin Akanishi of KAT-TUN, Tsugunaga Momoko and Natsuyaki Miyabi of Berryz Kobo, Suzuki Airi of Cute and Kanon of An Cafe are all from the Chiba Prefecture.
Read more about this topic: Chiba Prefecture
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)