Cherry Poppin' Daddies - Musical Style and Lyricism

Musical Style and Lyricism

While the Daddies are generally labeled as swing and/or ska, critics have conceived terms such as "punk swing", "power swing" and "big band punk rock" to describe the band's unique interpretation, mixing "the propulsion of swing beats and rabbit-punch bursts of brass with grimy rebel-rock guitars to give the jumpin' jive sound a much-needed facelift". The Pacific Northwest Inlander wrote of this style, "atop the swing of the band's jazz you can hear strains of Parliament-Funkadelic, crumbs of barrelhouse rhythm and blues, snippets of ska, and huge whiffs of in-your-face punk rock", likening the Daddies to "Cab Calloway-meets-Johnny Rotten, or the Duke Ellington Orchestra pumped up on steroids and caffeine".

"White Trash Toodle-oo" (2008) Sorry, your browser either has JavaScript disabled or does not have any supported player.
You can download the clip or download a player to play the clip in your browser. Sample of "White Trash Toodle-oo" from Susquehanna, an example of the band's "swing-core", starkly contrasting jazz and punk melodies.

Read more about this topic:  Cherry Poppin' Daddies

Famous quotes containing the words musical, style and/or lyricism:

    I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.
    Stendhal [Marie Henri Beyle] (1783–1842)

    Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.
    Ernest Hemingway (1899–1961)

    The lyricism of marginality may find inspiration in the image of the “outlaw,” the great social nomad, who prowls on the confines of a docile, frightened order.
    Michel Foucault (1926–1984)