Music in The Film
Guru Dutt's music composer of earlier films S.D.Burman had warned him not to make Kagaz ke Phool which resembled his own life. When Guru Dutt insisted on making the film S.D.Burman said that would be his film with Guru Dutt. (Total Recall, Times Now news channel 8 July 2012) Hence the Music of this film was offered to composer Ravi and was critically acclaimed, and the lyrics by his all time favourite Shakeel Badayuni. Interestingly, It was a creative choice of Guru Dutt's to have the title track in color while the rest of the film was Black and White.
| Song | Singer(s) |
|---|---|
| Chaudhvin Ka Chand Ho Tum | Mohammad Rafi |
| Mili Khak Main Mohabbat | Mohammad Rafi |
| Yeh Luckhnow ki Sar-Zameen | Mohammad Rafi |
| Mera Yaar Bana Hai Dulha | Mohammad Rafi |
| Mera Yaar Bana Hai Dulha - Reprise | Mohammad Rafi |
| Badle Badle Mere Sarkar | Lata Mangeshkar |
| Balam Se Milan Huga | Geeta Dutt |
| Bedardi Mere Saiyan | Asha Bhosle |
| Sharma Ke Agar Yun Pardanashin | Asha Bhosle |
| Dil Ki Kahani | Asha Bhosle |
Read more about this topic: Chaudhvin Ka Chand
Famous quotes containing the words music in, music and/or film:
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)
“As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.”
—David Byrne (b. 1952)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)