The Chattanooga High School Center for Creative Arts is a dedicated fine arts magnet school for students grades six through twelve, located in Chattanooga, Tennessee, USA. Chattanooga High School was founded in the fall of 1874. Its seventh and final location, built in 1963, is now the Center for Creative Arts (CCA).
Read more about Chattanooga High School Center For Creative Arts: Arts, Events, The Choo Choo Kids, Project Motion, Awards, Admission and Auditions
Famous quotes containing the words chattanooga, high, school, center, creative and/or arts:
“Pardon me boy,
Is that the Chattanooga Choo-choo?
Track twenty nine,
Boy you can give me a shine.”
—Mack Gordon (1904–1959)
“The report reflects incredibly terrible judgments, shockingly sparse concern for human life, instances of officials lacking the courage to exercise the responsibilities of their high office and some very bewildering thought processes.”
—Jane Jarrell Smith, U.S. widow of American astronaut Michael J. Smith. As quoted in Newsweek magazine, p. 13 (June 30, 1986)
“Although good early childhood programs can benefit all children, they are not a quick fix for all of society’s ills—from crime in the streets to adolescent pregnancy, from school failure to unemployment. We must emphasize that good quality early childhood programs can help change the social and educational outcomes for many children, but they are not a panacea; they cannot ameliorate the effects of all harmful social and psychological environments.”
—Barbara Bowman (20th century)
“The question of whether it’s God’s green earth is not at center stage, except in the sense that if so, one is reminded with some regularity that He may be dying.”
—Edward Hoagland (b. 1932)
“Assuming that rapture is nature’s play with man, the Dionysian artist’s creative activity is the play with rapture.”
—Friedrich Nietzsche (1844–1900)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)