Charles Williams (U.S. Author) - Bibliography

Bibliography

(novels in publication order, with alternate titles in the US and the UK; original year of publication; publisher name; and, for Gold Medal and Dell books, initial publication number)

  • Hill Girl (1951; Gold Medal 141)
  • Big City Girl (1951; Gold Medal 163)
  • River Girl (aka The Catfish Tangle) (1951; Gold Medal G207)
  • Hell Hath No Fury (aka The Hot Spot) (1953; Gold Medal 286)
  • Nothing in Her Way (1953; Gold Medal 340)
  • Go Home, Stranger (1954; Gold Medal 371)
  • A Touch of Death (aka Mix Yourself a Redhead; based on 1953 novella And Share Alike) (1954; Gold Medal 434)
  • Scorpion Reef (aka Gulf Coast Girl; based on novella Flight to Nowhere) (1955; Macmillan hc )
  • The Big Bite (1956; Dell A114)
  • The Diamond Bikini (1956; Gold Medal s607)
  • Girl Out Back (aka Operator; based on 1957 novella titled either Operator or Operation) (1958; Dell B114)
  • Talk of the Town (aka Stain of Suspicion; also condensed under that title) (1958; Dell A164)
  • All the Way (aka The Concrete Flamingo) (1958; Dell A165)
  • Man on the Run (aka Man in Motion) (1958; Gold Medal 822)
  • Uncle Sagamore and His Girls (1959; Gold Medal s908)
  • The Sailcloth Shroud (1960; Viking hc )
  • Aground (1960; Viking hc)
  • The Long Saturday Night (aka Confidentially Yours; Finally, Sunday!) (1962; Gold Medal s1200)
  • Dead Calm (condensed as Pacific Honeymoon) (1963; Viking hc)
  • The Wrong Venus (aka Don't Just Stand There) (1966; New American Library hc)
  • And The Deep Blue Sea (1971; Signet pb)
  • Man on a Leash (1973; Putnam hc)

Note: The novel Fires of Youth (1960; Magnet 309) is credited to "Charles Williams." There is currently no definitive evidence available that it was written by the Charles Williams discussed in this article. The novel—variously described as "sleaze," "pulp erotica," and "a coming of age story"—is said to read like Williams in terms of literary craft, but the teenaged themes are atypical for him and it was put out by one of the smaller pulp publishing houses during his period of success. Neither the covers nor the other publisher's content of the book make reference to the work already published by the Charles Williams here in question.

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