Novels and Short Stories
- The Amateur. New York: George H. Doran, 1916. at Google Books
- Salt; or, The Education of Griffith Adams. N. Y.: E.P. Dutton and Company, 1919. at Google Books
- Brass; A Novel of Marriage. N.Y.: E. P. Dutton, 1921. at Google Books
- Marriage; Short Stories of Married life by American Writers, Tarkington, Cutting, Hergesheimer, Miller, Street, Delano, Norris, Gale, Harrison, Kelland, Hopper, Adams, Butler, Foster, Hughes, Dreiser, Cooper, Turner, Webster, Lincoln. Garden City, N. Y.,: Doubleday Page, 1923.
- Bread. N.Y: Dutton, 1923.
- Pig Iron. N.Y: E. P. Dutton, 1926.
- Zelda Marsh. N.Y.: E.P. Dutton, 1927.
- Seed, A Novel of Birth Control. Garden City, N.Y.,: Doubleday Doran, 1930.
- Zest. Garden City, N. Y.: Doubleday Doran, 1933.
- Hands. New York,: Farrar & Rinehart, 1935.
- Bricks Without Straw. N.Y.: Doubleday Doran, 1938.
- Flint. Garden City, New York.: Doubleday Doran, 1944.
Books by Charles Norris in Theodore Dreiser's library
- John Rossiter's Wife
Read more about this topic: Charles Gilman Norris
Famous quotes containing the words novels, short and/or stories:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“... until the shopkeeper plants his boot in our eyes,
and unties our bone and is finished with the case,
and turns to the next customer, forgetting our face
or how we knelt at the yellow bulb with sighs
like moth wings for a short while in a small place.”
—Anne Sexton (1928–1974)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)