Paris Opera
On 30 December 1860 the Second Empire of Emperor Napoleon III announced a competition for the design of a new, state-funded opera house. The old opera house, located on the rue Le Peletier(fr) and known as the Salle Le Peletier, had been constructed as a temporary theatre in 1821. Street access to that theatre was greatly constricted, and after an attempted assassination of Napoleon III at the theatre's entrance on 14 January 1858, it was decided to build a new opera house with a separate, more secure entrance for the head of state.
Applicants were given a month to submit entries. There were two phases to the competition, and Garnier was one of 170 entrants in the first phase. He was awarded the fifth-place prize and was one of seven finalists selected for the second phase. The second phase required the contestants to revise their original projects and was more rigorous, with a 58-page program, written by the director of the Opéra, Alphonse Royer, which the contestants received on 18 April. The new submissions were sent to the jury in the middle of May, and on 29 May Garnier's project was selected for its "rare and superior qualities in the beautiful distribution of the plans, the monumental and characteristic aspect of the facades and sections".
Garnier's wife Louise later wrote that the French architect Alphonse de Gisors, who was on the jury, had commented to them that Garnier's project was "remarkable in its simplicity, clarity, logic, grandeur, and because of the exterior dispositions which distinguish the plan in three distinct parts—the public spaces, auditorium, and stage ... 'you have greatly improved your project since the first competition; whereas Ginain has ruined his.'"
Soon the thirty-five-year-old and relatively unknown Garnier began work on the building, which eventually would be named for him, the Palais Garnier. Many people had difficulty in deciding exactly what style he was trying to portray. When asked by Empress Eugénie in what style the building was to be done, he is said to have replied: "Why Ma'am, in Napoleon Trois, and you complain!"
Construction began in the summer of 1861, though setbacks would delay it for another fourteen years. During the first week of excavation, an underground stream was discovered, rendering the ground too unstable for a foundation. It required eight months for the water to be pumped out, though enough was left in the area which eventually became the fifth cellar for operating the hydraulic stage machinery above. Garnier's double-walled and bitumen-sealed cement and concrete foundation proved strong enough to withstand any possible leakages, and construction continued.
The defeat of the French army by the Prussians at the Battle of Sedan in 1870 resulted in the end of the Second Empire. During the Siege of Paris and the Paris Commune in 1871, the unfinished Opera was used as a warehouse for goods, as well as a military prison.
The opera house was finally inaugurated on 5 January 1875. Many of the most prestigious monarchs of Europe attended the opening ceremony, including the President of France's new Republic, Marshal McMahon, the Lord Mayor of London, and King Alfonso XII of Spain.
The people who entered the massive building, spanning nearly 119,000 square feet (11,100 m2), were generally awed by its immense size and extensive ornamentation. Claude Debussy described it as resembling a railway station on the outside, and that the interior could easily be mistaken for a Turkish bath.
Garnier's works represent a Neo-Baroque-inspired style, popular during the Beaux-Arts period in France. He was influenced by the Italianate styles of Renaissance artisans such as Palladio, Sansovino, and Michelangelo, perhaps the result of his many visits to Greece and Rome during his lifetime. He was also a pioneer of architectural beauty as well as function; his opera was built on a framework of metal girders, unprecedented at the time. Aside from being fireproof, steel and iron was much stronger than wood, allowing it to successfully withstand the countless heavy tons of marble and other materials heaped upon it without breaking.
Read more about this topic: Charles Garnier (architect)
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