Influence
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The influence of Fourier's ideas in French politics was carried forward into the 1848 Revolution and the Paris Commune by followers such as Victor Considérant.
Numerous references to Fourierism appear in Dostoevsky's political novel The Possessed first published in 1872. In it Fourierism is used by the revolutionary faithful as something of an insult to their brethren and those within the circle are quick to defend themselves from being labeled a Fourierist. Whether this is because it is a foreign ideology or because they believe it to be archaic is never made entirely clear.
Fourier's ideas also took root in America, with his followers starting phalanxes throughout the country, including one of the most famous, Utopia, Ohio.
Kent Bromley, in his preface to Peter Kropotkin's book The Conquest of Bread, considered Fourier to be the founder of the libertarian branch of socialist thought, as opposed to the authoritarian socialist ideas of Babeuf and Buonarroti.
In the mid-20th century, Fourier's influence began to rise again among writers reappraising socialist ideas outside the Marxist mainstream. After the Surrealists had broken with the French Communist Party, André Breton returned to Fourier, writing Ode à Charles Fourier in 1947.
Walter Benjamin considered Fourier crucial enough to devote an entire "konvolut" of his massive, projected book on the Paris arcades, the Passagenwerk, to Fourier's thought and influence. He writes: "To have instituted play as the canon of a labor no longer rooted in exploitation is one of the great merits of Fourier", and notes that "Only in the summery middle of the nineteenth century, only under its sun, can one conceive of Fourier's fantasy materialized."
In 1969, Raoul Vaneigem quoted and adapted Fourier's Avis aux civilisés relativement à la prochaine métamorphose sociale in his text Avis aux civilisés relativement à l'autogestion généralisée.
Fourier's work has significantly influenced the writings of Gustav Wyneken, Guy Davenport (in his work of fiction Apples and Pears), Peter Lamborn Wilson, and Paul Goodman.
In Whit Stillman's film Metropolitan, the idealistic Tom Townsend describes himself as a Fourierist, and debates the success of social experiment Brook Farm with another of the characters. Bidding him goodnight, Sally Fowler says, "Good luck with your furrierism."
David Harvey, in the appendix to his book Spaces of Hope, offers a personal utopian vision of the future much like Fourier's ideas.
Nathaniel Hawthorne in chapter 7 of his novel The Blithedale Romance gently mocks Fourier saying
"When, as a consequence of human improvement", said I, "the globe shall arrive at its final perfection, the great ocean is to be converted into a particular kind of lemonade, such as was fashionable at Paris in Fourier's time. He calls it limonade a cedre. It is positively a fact! Just imagine the city docks filled, every day, with a flood tide of this delectable beverage!" —Writers of the post-left anarchy tendency have praised the writings of Fourier. Bob Black in his work The Abolition of Work advocates Fourier´s idea of attractive work as a solution to his criticisms of work conditions in contemporary society. Hakim Bey manifested that Fourier "lived at the same time as De Sade & (William) Blake, & deserves to be remembered as their equal or even superior. Those other two apostles of freedom & desire had no political disciples, but in the middle of the 19th century literally hundreds of communes (phalansteries) were founded on fourierist principles".
Read more about this topic: Charles Fourier
Famous quotes containing the word influence:
“A bestial and violent man will go so far as to kill because he is under the influence of drink, exasperated, or driven by rage and alcohol. He is paltry. He does not know the pleasure of killing, the charity of bestowing death like a caress, of linking it with the play of the noble wild beasts: every cat, every tiger, embraces its prey and licks it even while it destroys it.”
—Colette [Sidonie Gabrielle Colette] (1873–1954)
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
—David Hume (1711–1776)
“... even I am growing accustomed to slavery; so much so that I cease to think of its accursed influence and calmly eat from the hands of the bondman without being mindful that he is such. O, Slavery, hateful thing that thou art thus to blunt the keen edge of conscience!”
—Susan B. Anthony (1820–1907)