Characters of Peter Pan

Characters Of Peter Pan

The works of J. M. Barrie about Peter Pan feature many memorable characters. The numerous adaptations and sequels to those stories feature many of the same characters, and introduce new ones. Most of these strive for continuity with Barrie's work, developing a fairly consistent cast of characters living in Neverland and the real-world settings of Barrie's stories.

This article covers the characters appearing in the canonical works of Barrie, the major motion pictures based on them, and the major prequels/sequels (authorized and not):

  • The Little White Bird or Peter Pan in Kensington Gardens (novel) - PPKG
  • Peter Pan, or The Boy Who Wouldn't Grow Up (play) - PLAY
  • Peter and Wendy (novel) - P&W
  • Peter Pan (1924 film) - 1924
  • Peter Pan (1953 film) - 1953
  • Hook (film) - 1991
  • Return to Never Land (film) - RNL
  • Peter Pan (2003 film) - 2003
  • Peter Pan in Scarlet (novel) - PPS
  • Peter and the Starcatchers (novel) - P&SC
  • Peter and the Shadow Thieves (novel) - P&ST
  • Peter and the Secret of Rundoon (novel) - P&SR

Read more about Characters Of Peter Pan:  Jane, The Bannings, Molly Aster, St. Norbert's, Other Characters

Famous quotes containing the words characters, peter and/or pan:

    It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.
    Franz Grillparzer (1791–1872)

    Ellie: By the way, what’s your name?
    Peter: What’s that?
    Ellie: Who are you?
    Peter: Who, me? I’m the whippoorwill that cries in the night. I’m the soft morning breeze that caresses your lovely face.
    Ellie: You’ve got a name, haven’t you?
    Peter: Yeah, I got a name. Peter Warne.
    Ellie: Peter Warne? I don’t like it.
    Robert Riskin (1897–1955)

    A ‘spasm band’ is a miscellaneous collection of a soap box, tin cans, pan tops, nails, drumsticks, and little Negro boys. When mixed in the proper proportions this results in the wildest shuffle dancing, accompanied by a bumping rhythm.
    —For the City of New Orleans, U.S. public relief program (1935-1943)