The character sketch entered into literature in the early English novel. As Pat Rogers notes, Henry Fielding, in book I, chapter 14 of Joseph Andrews, invokes William Hogarth to create a character sketch of Mrs. Tow-wouse: "Indeed, if Mrs. Tow-wouse had given no Utterance to the Sweetness of her Temper, Nature had taken such Pains in her Countenance, that Hogarth himself never gave more Expression to a Picture." In later literature, a character sketch became a short story or narrative presented without significant action or plot, as the purpose of the writing is solely to present a character at his or her typical. Character sketches of this sort are also frequently found in journalism and regionalist humor (e.g. sketches of "Big John" or "the country rube" or "the wise Squire"). Each of these attempts to delineate what is believed to be a character who epitomizes a type.
Famous quotes containing the words character and/or sketch:
“Sadism and masochism, in Freud’s final formulation, are fusions of Eros and the destructive instincts. Sadism represents a fusion of the erotic instincts and the destructive instincts directed outwards, in which the destructiveness has the character of aggressiveness. Masochism represents the fusion of the erotic instincts and the destructive instincts turned against oneself, the aim of the latter being self-destruction.”
—Patrick Mullahy (b. 1912)
“We criticize a man or a book most sharply when we sketch out their ideal.”
—Friedrich Nietzsche (1844–1900)