Music and Theater
In 2006 the theater department took second place in the One-Act Play Regionals, winning a number of first and second place awards in the VHSL competition, including best duo, monologue, and readers theater. In 2007, the theater sports team won first place.
Over the years, the department has won Cappies for Best actor/actress, best set, best lighting, and best cameo actor/actress. They have been the only National Capital Area high school to have been nominated for Costumes for a play and have had numerous student critics been published in The Washington Post over the years. In 2007, Chantilly was nominated for 12 Cappies awards, including featured actress, featured actor, critics team, graduating critic, costumes, hair and makeup, and more. They went on to win Comic Actor in a play, Best Set and Best Play for The Man Who Came to Dinner.
In 2011, the theater department took first place in the VHSL State One-Act Play competition for the second time in school history. Also in 2011, Chantilly's One Act Play AP Theatre, written and directed by Ed Monk, won the AAA Virginia State Championship with a perfect score.
In 2011, Chantilly's Indoor Drumline won the world championship in WGI's PSA group.
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Famous quotes containing the words music and/or theater:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self.... What I have instead is a variety of impersonations I can do, and not only of myself—a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required.... I am a theater and nothing more than a theater.”
—Philip Roth (b. 1933)