Traditional Chant in Popular Culture
Chant is a popular component of film scores, such as The Lord of the Rings film trilogy by Howard Shore, Star Wars: Episode I: The Phantom Menace by John Williams, Ghost in the Shell by Kenji Kawai, and Man vs. Godzilla by Akira Ifukube, and video game scores such as the Halo series by Martin O'Donnell and Michael Salvatori.
While authentic traditional chant has occasionally figured into modern popular music in brief intros, interludes or atmospheric background usage, one of the earliest notable, fundamental uses of traditional chant in modern pop came from Enigma, who sampled Gregorian chants over trance beats for a successful series of albums and singles. Their 1990 debut single "Sadeness (Part I)" became one of the biggest dance and pop music hits of the year, topping charts around the world, while their song "Return to Innocence" uses a chant in the Taiwanese Aboriginal language Amis.
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Famous quotes containing the words traditional, chant, popular and/or culture:
“There are two kinds of fathers in traditional households: the fathers of sons and the fathers of daughters. These two kinds of fathers sometimes co-exist in one and the same man. For instance, Daughter’s Father kisses his little girl goodnight, strokes her hair, hugs her warmly, then goes into the next room where he becomes Son’s Father, who says in a hearty voice, perhaps with a light punch on the boy’s shoulder: “Goodnight, Son, see ya in the morning.””
—Letty Cottin Pogrebin (20th century)
“Pan’s Syrinx was a girl indeed,
Though now she’s turned into a reed;
From that dear reed Pan’s pipe does come,
A pipe that strikes Apollo dumb;
Nor flute, nor lute, nor gittern can
So chant it, as the pipe of Pan;”
—John Lyly (1553–1606)
“Journalism is popular, but it is popular mainly as fiction. Life is one world, and life seen in the newspapers another.”
—Gilbert Keith Chesterton (1874–1936)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)