Traditional Chant in Popular Culture
Chant is a popular component of film scores, such as The Lord of the Rings film trilogy by Howard Shore, Star Wars: Episode I: The Phantom Menace by John Williams, Ghost in the Shell by Kenji Kawai, and Man vs. Godzilla by Akira Ifukube, and video game scores such as the Halo series by Martin O'Donnell and Michael Salvatori.
While authentic traditional chant has occasionally figured into modern popular music in brief intros, interludes or atmospheric background usage, one of the earliest notable, fundamental uses of traditional chant in modern pop came from Enigma, who sampled Gregorian chants over trance beats for a successful series of albums and singles. Their 1990 debut single "Sadeness (Part I)" became one of the biggest dance and pop music hits of the year, topping charts around the world, while their song "Return to Innocence" uses a chant in the Taiwanese Aboriginal language Amis.
Read more about this topic: Chant
Famous quotes containing the words traditional, chant, popular and/or culture:
“The developments in the North were those loosely embraced in the term modernization and included urbanization, industrialization, and mechanization. While those changes went forward apace, the antebellum South changed comparatively little, clinging to its rural, agricultural, labor-intensive economy and its traditional folk culture.”
—C. Vann Woodward (b. 1908)
“Pan’s Syrinx was a girl indeed,
Though now she’s turned into a reed;
From that dear reed Pan’s pipe does come,
A pipe that strikes Apollo dumb;
Nor flute, nor lute, nor gittern can
So chant it, as the pipe of Pan;”
—John Lyly (1553–1606)
“What’s wrong, a little pavement sickness?”
—Russian saying popular in the Soviet period, trans. by Vladimir Ivanovich Shlyakov (1993)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)