Chan Chan - Architecture

Architecture

The city is composed of ten walled citadels which housed ceremonial rooms, burial chambers, temples, reservoirs and some residences. Chan Chan is a triangular city surrounded by walls 50–60 feet high. A distinguishable aspect of Chan Chan is that there are no enclosures which open to the north. The tallest walls shelter against south-westerly winds from Peru's coast. Northern-facing walls gain the greatest exposure to the sun, serving both to block the wind and absorb sunlight where fog is frequent. The numerous walls throughout the city create a labyrinth of passages.

The walls themselves were constructed of adobe brick and were then covered with a smooth surface into which intricate designs were carved. There are two styles of design present in these carvings: one is a ‘realistic’ representation of subjects such as birds, fish, and small mammals; and the other is a more graphic, stylized representation of the same subjects. The carvings at Chan Chan depict crabs, turtles, and nets for catching various sea monsters. Chan Chan, unlike most other coastal ruins in Peru, is located extremely close to the Pacific Ocean. In 1998, The "Master Plan for Conservation and Management of the Chan Chan Archeological Complex" is drawn up by the Freedom National Culture Institute of Peru with contributions from the World Heritage Foundation - WHR, ICCROM and GCI. The Plan is approved by the Peruvian Government, with involvement at the highest levels up until today.

Read more about this topic:  Chan Chan

Famous quotes containing the word architecture:

    No architecture is so haughty as that which is simple.
    John Ruskin (1819–1900)

    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)

    Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.
    Ralph Waldo Emerson (1803–1882)