Cerro Torre - First Ascent

First Ascent

Cesare Maestri claimed in 1959 that he and Toni Egger had reached the summit and that Egger had been swept to his death by an avalanche while they were descending. Maestri declared that Toni had the camera with the pictures of the summit, but this camera was never found. Inconsistencies in Maestri's account, and the lack of bolts, pitons or fixed ropes on the route, has led most mountaineers to doubt Maestri's claim. In 2005, Ermanno Salvaterra, Rolando Garibotti and Alessandro Beltrami, after many attempts by world-class Alpinists, put up a confirmed route on the face that Maestri claimed to have climbed. They did not find any evidence of previous climbing on the route described by Maestri and found the route significantly different from Maestri's description.

Maestri went back to Cerro Torre in 1970 with Ezio Alimonta, Daniele Angeli, Claudio Baldessarri, Carlo Claus and Pietro Vidi, trying a new route on the southeast face. With the aid of a gas-powered compressor drill, Maestri equipped 350 m of rock with bolts and got to the end of the rocky part of the mountain, just below the ice mushroom. Maestri claimed that "the mushroom is not part of the mountain" and did not continue to the summit. The compressor was left, tied to the last bolts, 100 m below the top. Maestri was heavily criticised for the unfair methods he used to climb the mountain. The large difference in style and means used on Cerro Torre in 1959 and 1970 (1970: large use of equipment and artificial climbing vs. 1959: a party of two climbers with minimal equipment) reinforced the idea that Maestri likely failed to summit Cerro Torre in 1959.

The route Maestri followed is now known as the Compressor route and was climbed to the summit in 1979 by Jim Bridwell and Steve Brewer. Most parties consider the ascent complete only if they summit the often-difficult ice-rime mushroom.

The first undisputed ascent was made by the 1974 Austro-Italian expedition led by Thomas Kastner and also composed by Daniele Chiappa, Mario Conti, Casimiro Ferrari, and Pino Negri.

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    I lay awake awhile, watching the ascent of the sparks through the firs, and sometimes their descent in half-extinguished cinders on my blanket. They were as interesting as fireworks, going up in endless, successive crowds, each after an explosion, in an eager, serpentine course, some to five or six rods above the tree-tops before they went out.
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