Works
Lay's early prints show some debt to the manner of Aubrey Beardsley, but during the 1920s and 1930s he developed a distinctively deco manner, producing a considerable series of oils depicting family groups or pairs of characteristic Suffolk vernacular types in a pseudo-naive style and in vibrant colour. In his watercolours, landscapes are populated in less formal, more relaxed ways.
Lay's volumes of poems appeared mainly between 1927 and 1934. They are mainly collections of short lyrics in new Elizabethan manner, sometimes erotic, and, although rural and showing a countryman's sensibilities, without sentimentalism or any strong note of nostalgia. Cecil Lay married Joan Chadburn, daughter of the painter Haworth Chadburn, in 1932. 'His origins, training and experience seem as if designed to produce that complex of rootedness and spiritual uprootedness that so often gives the artist's special oblique angle of view.' National Press opinions of his early verse comment on his Elizabethan frankness, simplicity, admirable lyrical impulse combined with tigerish intensity and focus, wit, beauty and blunt realism. His romantic sensibility was blended or moderated with classic restraint.
He was a friend of the Sieveking family and, although a project (by Martin Secker) to publish his collected poems had foundered in 1937, the broadcaster Lance Sieveking in 1962 published a Collected Poems of Cecil Lay with his own Introduction, and an extended quotation from an earlier Introduction intended for the original Secker volume of 1937, written by A. E. Coppard. Not only Coppard, but also Middleton Murry, Desmond MacCarthy and W. H. Davies had been attracted to Lay's poetry, and Lance Sieveking emphasised the ways in which the poems resembled those of W. H. Davies.
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“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.
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“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
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