Character
C.B was (in London) and is (in Bochum) one of the more prominent characters. He was the overall bad guy and lynchpin of the plot, manipulating champion engines Greaseball and Electra. In the UK tour he became a less prominent character (technically ensemble, demoted along with Buffy and Ashley), so that Electra and Greaseball had to plot things for themselves. He did, however, still manipulate them, but it was not as obvious and while all of his songs had been removed to keep him cheap ensemble, the introduction to 'Wide Smile, High Style', in which all the plotting is done, remained. Presumably it is close enough to dialogue to not count as a solo.
In June 2008 his role was reduced in Bochum, with 'Dein Freund' cut (apparently to make room for Pearl's newly translated ballad 'Dann pfeift er mir zu '/'He'll Whistle at Me'), along with its reprise in 'Bummellok'. Greaseball and Gang now participate in 'Mein Spiel', disappearing just in time for Electra and Components to come on and do their dance. C.B. is the most evil person on the rails (save Greaseball).
C.B starts off one of his songs with a small anecdote describing heroes going bad; 'All those heroes you love to trust, in the end they all go bust! Robin hood kept all the money, piglet poisened pooh-bear's honey! ET has no flying permit, Donald Duck has eaten Kermit! Bambi set the woods alight! And the Red Caboose has done no right!'
Read more about this topic: CB The Red Caboose
Famous quotes containing the word character:
“I wasn’t born to be a fighter. I was born with a gentle nature, a flexible character and an organism as equilibrated as it is judged hysterical. I shouldn’t have been forced to fight constantly and ferociously. The causes I have fought for have invariably been causes that should have been gained by a delicate suggestion. Since they never were, I made myself into a fighter.”
—Margaret Anderson (1886–1973)
“Accidents will occur in the best regulated families; and in families not regulated by that pervading influence which sanctifies while it enhances the—a—I would say, in short, by the influence of Woman, in the lofty character of Wife, they may be expected with confidence, and must be borne with philosophy.”
—Charles Dickens (1812–1870)
“Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.”
—Willa Cather (1873–1947)