Cattle Drives On Television and Film
Cattle drives were a major plot element of many Hollywood films and television shows, particularly during the era when westerns were popular. One of the most famous movies is Red River (1948) directed by Howard Hawks, and starring John Wayne and Montgomery Clift. Like many such films, Red River tended to exaggerate the dangers and disasters of cattle driving. More recently, the movie City Slickers (1990) was about a guest ranch-based cattle drive. The long running TV show Rawhide (1959–1965), starring Eric Fleming and Clint Eastwood, dealt with drovers taking 3000 head along the Sedalia trail from San Antonio, Texas to the railhead at Sedalia. The 1980s miniseries Lonesome Dove centered on a cattle drive from South Texas to Montana.
Read more about this topic: Cattle Drives In The United States
Famous quotes containing the words cattle drives, cattle, drives, television and/or film:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“He who steals chickens as a child will steal cattle as an adult.”
—Chinese proverb.
“Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away.”
—Walter Benjamin (1892–1940)
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
—Ellen Galinsky (20th century)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)