Cattle Drives On Television and Film
Cattle drives were a major plot element of many Hollywood films and television shows, particularly during the era when westerns were popular. One of the most famous movies is Red River (1948) directed by Howard Hawks, and starring John Wayne and Montgomery Clift. Like many such films, Red River tended to exaggerate the dangers and disasters of cattle driving. More recently, the movie City Slickers (1990) was about a guest ranch-based cattle drive. The long running TV show Rawhide (1959–1965), starring Eric Fleming and Clint Eastwood, dealt with drovers taking 3000 head along the Sedalia trail from San Antonio, Texas to the railhead at Sedalia. The 1980s miniseries Lonesome Dove centered on a cattle drive from South Texas to Montana.
Read more about this topic: Cattle Drives In The United States
Famous quotes containing the words cattle, drives, television and/or film:
“A man shall perhaps rush by and trample down plants as high as his head, and cannot be said to know that they exist, though he may have cut many tons of them, littered his stables with them, and fed them to his cattle for years. Yet, if he ever favorably attends to them, he may be overcome by their beauty.”
—Henry David Thoreau (18171862)
“Asceticism is the right way of thinking for those who have to extirpate their sensual drives because they are ravening beasts of prey. But only for those!”
—Friedrich Nietzsche (18441900)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving ones ordinary surroundings, soap operas are in fact spatially inseparable from the rest of ones life. In homes where television is on most of the time, they are also temporally integrated into ones real life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)