History
Originally founded in 1996, Cattle Decapitation's songs protest the mistreatment and consumption of animals, the abuse of the environment and touch subjects such as misanthropy and genocide of the human race. Much of their music is based on putting humans in the situations that animals are subjected to (animal testing, slaughter, etc.). While the band started with an entirely vegetarian lineup, only two current members are vegetarian: Travis Ryan and Josh Elmore.
Their 2002 album To Serve Man saw controversy in Germany, where distribution company SPV refused to handle the album due to its graphic cover. The cover of the 2004 album Humanure, featuring a cow excreting human remains, was reportedly censored without permission from the label in some outlets. Record store owners did not display the album, making it difficult for customers to find and buy it.
Former member Gabe Serbian is a member of the band The Locust. Former member Dave Astor was also a member of The Locust.
Metal author and journalist Garry Sharpe-Young once acknowledged the band as "one of the few metal bands whose message hits as hard as their music".
In August 2009, Cattle Decapitation parted ways with long-time bassist Troy Oftedal because of "musical and personal differences".
Their latest album, Monolith of Inhumanity, was released in 2012. It received positive reviews upon release.
Cattle Decapitation has toured with many death metal bands including Suffocation, Cryptopsy, The Black Dahlia Murder, Deicide, Behemoth, Hate Eternal, Krisiun and Job For A Cowboy. The band also participated in Metal Blade Record's Scion A/V Showcase in late 2012.
Read more about this topic: Cattle Decapitation
Famous quotes containing the word history:
“The history of mankind interests us only as it exhibits a steady gain of truth and right, in the incessant conflict which it records between the material and the moral nature.”
—Ralph Waldo Emerson (1803–1882)
“It takes a great deal of history to produce a little literature.”
—Henry James (1843–1916)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)