Catherine of Braganza - Queen Consort

Queen Consort

Catherine was not a particularly popular choice of queen since she was a Roman Catholic. Her religion prevented her from being crowned, as Roman Catholics were forbidden to take part in Anglican services. She initially faced hardships due to the language barrier, the king's infidelities and the political conflicts between Roman Catholics and Anglicans. Over time, her quiet decorum, loyalty and genuine affection for Charles changed the public's perception of her.

Although her difficulties with the English language persisted, as time went on, the once rigidly formal Portuguese Infanta mellowed and began to enjoy some of the more innocent pleasures of the court. She loved to play cards and shocked devout Protestants by playing on Sundays. She enjoyed dancing and took great delight in organising masques. She had a great love for the countryside and picnics; fishing and archery were also favourite pastimes. In a far cry from her convent-days the newly liberated Catherine displayed a fondness for the recent trend of court ladies wearing men's clothing, which we are told, 'showed off her pretty, neat legs and ankles'; and she was even reported to have considered leading the way in wearing shorter dresses, which would show off her feet. In 1670, on a trip to Audley End with her ladies-in-waiting, the once chronically shy Catherine attended a country fair disguised as a village maiden, but was soon discovered and, due to the large crowds, forced to make a hasty retreat. And when in 1664 her favourite painter, Jacob Huysmans, a Dutch Catholic, painted her as St Catherine, it promptly set a trend among court ladies.

She did not involve herself in English politics, instead she kept up an active interest in her native country. Anxious to re-establish good relations with the Pope and perhaps gain recognition for Portuguese independence, she sent Richard Bellings, later her principal secretary, to Rome with letters for the pope and several cardinals. In 1669 she involved herself in the relief of Candia in Crete, which was under siege by the Turks and whose cause Rome was promoting, although she failed to persuade her husband to take any action. In 1670, as a sign of her rising favour with the pontiff she requested, and was granted, devotional objects.

On the first presentation to Charles' official mistress, Barbara Palmer, she fainted away when Charles insisted on making her Catherine's lady of the bedchamber. She accepted Barbara, however later withdrew from the king's society, and in spite of Clarendon's attempts to moderate her resentment, declared she would return to Portugal rather than consent to a base compliance. To overcome her resistance nearly the whole of her Portuguese retinue was dismissed. She was helpless, and the violence of her grief and anger soon changed to passive resistance, and then to a complete forbearance and complaisance which gained the king's regard and favor. In the midst of Charles's debauched and licentious court, she lived neglected and retired.