Model and Influence of The Cathedral in Religious Architecture
Bishop Rodrigo Ximénez de Rada and those who followed him used master builders who had worked in or had experience designing in the French Gothic style. The cathedrals of Paris or Le Mans were their points of reference. The constructive solutions of the French Gothic builders were well-accepted, such as counter-rests, buttresses and pointed arches; nevertheless, the Spanish builders resisted the importation of the layout of the French cathedrals, where the choir and the altar were located in impressive sanctuaries, opting for smaller ones and situating the choir in the central nave. This was the syncretic solution of the Cathedral of Santiago de Compostela, which came first; all of this developed in Spain as much by the influence of the Mozarabic rite, as also by the Visigothic tradition and the Castilian liturgy.
This historical evolution, combined with the status of the Primate Cathedral, encouraged the adoption of the Toledan model by the rest of the Spanish cathedrals, with the exception of that of Burgos and that of León which followed the French model with more fidelity. A similar arrangement of spaces can be seen in the cathedrals of Cádiz, of Seville, of Palma de Mallorca, among others. And, as was foreseeable, the Spanish Empire carried the model of the Dives Toletana beyond, influencing those constructed in the Americas and the Philippines.
Read more about this topic: Cathedral Of Toledo
Famous quotes containing the words model, influence, cathedral, religious and/or architecture:
“There are very many characteristics which go into making a model civil servant. Prominent among them are probity, industry, good sense, good habits, good temper, patience, order, courtesy, tact, self-reliance, many deference to superior officers, and many consideration for inferiors.”
—Chester A. Arthur (1829–1886)
“I wish to reiterate all the reasons which [my predecessor] has presented in favor of the policy of maintaining a strong navy as the best conservator of our peace with other nations and the best means of securing respect for the assertion of our rights of the defense of our interests, and the exercise of our influence in international matters.”
—William Howard Taft (1857–1930)
“... and met
At numerous cathedral cities
Unknown to the clergy.”
—Philip Larkin (1922–1986)
“Adjoining a refreshment stand ... is a small frame ice house ... with a whitewashed advertisement on its brown front stating, simply, “Ice. Glory to Jesus.” The proprietor of the establishment is a religious man who has seized the opportunity to broadcast his business and his faith at the same time.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.”
—Roy Lichtenstein (b. 1923)