Model and Influence of The Cathedral in Religious Architecture
Bishop Rodrigo Ximénez de Rada and those who followed him used master builders who had worked in or had experience designing in the French Gothic style. The cathedrals of Paris or Le Mans were their points of reference. The constructive solutions of the French Gothic builders were well-accepted, such as counter-rests, buttresses and pointed arches; nevertheless, the Spanish builders resisted the importation of the layout of the French cathedrals, where the choir and the altar were located in impressive sanctuaries, opting for smaller ones and situating the choir in the central nave. This was the syncretic solution of the Cathedral of Santiago de Compostela, which came first; all of this developed in Spain as much by the influence of the Mozarabic rite, as also by the Visigothic tradition and the Castilian liturgy.
This historical evolution, combined with the status of the Primate Cathedral, encouraged the adoption of the Toledan model by the rest of the Spanish cathedrals, with the exception of that of Burgos and that of León which followed the French model with more fidelity. A similar arrangement of spaces can be seen in the cathedrals of Cádiz, of Seville, of Palma de Mallorca, among others. And, as was foreseeable, the Spanish Empire carried the model of the Dives Toletana beyond, influencing those constructed in the Americas and the Philippines.
Read more about this topic: Cathedral Of Toledo
Famous quotes containing the words model, influence, cathedral, religious and/or architecture:
“The playing adult steps sideward into another reality; the playing child advances forward to new stages of mastery....Child’s play is the infantile form of the human ability to deal with experience by creating model situations and to master reality by experiment and planning.”
—Erik H. Erikson (20th century)
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“... and met
At numerous cathedral cities
Unknown to the clergy.”
—Philip Larkin (1922–1986)
“The sceptics assert, though absurdly, that the origin of all religious worship was derived from the utility of inanimate objects, as the sun and moon, to the support and well-being of mankind.”
—David Hume (1711–1776)
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)