Career
As a young woman, Sedgwick took charge of a school in Lenox. She converted from Calvinism to Unitarianism, which led her to write a pamphlet denouncing religious intolerance. This further inspired her to write her first novel, A New-England Tale.
With her work much in demand, from the 1820s to the 1850s, Sedgwick made a good living writing short stories for a variety of periodicals. She died in 1867, and by the end of the 19th century, she had been relegated to near obscurity. There was a rise of male critics who deprecated women's writing as they worked to create an American literature.
Interest in Sedgwick's works and an appreciation of her contribution to American literature has been stimulated by the late 20th century's feminist movement. Beginning in the 1960s, feminist scholars began to re-evaluate women's contributions to literature and other arts, and created new frames of reference for considering their work. In addition, the advent of low-cost electronic reproductions, which became available at the end of the 20th century, made Sedgwick and other nineteenth-century authors' work more accessible for study and pleasure.
Edgar Allan Poe described Sedgwick in his "The Literati of New York City" (1846).
She is about the medium height, perhaps a little below it. Her forehead is an unusually fine one nose of a slightly Roman curve; eyes dark and piercing; mouth well-formed and remarkably pleasant in its expression. The portrait in “Graham's Magazine” is by no means a likeness, and, although the hair is represented as curled, (Miss Sedgwick at present wears a cap—at least, most usually,) gives her the air of being much older than she is.
Sedgwick is buried in the family plot in Stockbridge, Massachusetts. Her family arranged to have Freeman buried in their family plot as well, and had a tombstone inscribed for her.
Read more about this topic: Catharine Sedgwick
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