Plot
Catherine Ballou (Jane Fonda), an aspiring schoolteacher, is traveling by train to Wolf City, Wyoming, to visit her rancher father, Frankie Ballou (John Marley). En route she unwittingly helps accused cattle rustler Clay Boone (Michael Callan) elude his captor, the sheriff (Bruce Cabot), when Boone's Uncle Jed (Dwayne Hickman), a drunkard disguised as a preacher, distracts the lawman. She reaches the ranch to find that the Wolf City Development Corporation is trying to take the ranch away from her father, whose only defender is an educated Indian, Jackson Two-Bears (Tom Nardini). Clay and Jed appear and reluctantly offer to help Catherine. She also hires legendary gunfighter Kid Shelleen (Lee Marvin) to come and help protect her father from fast-drawing Tim Strawn (also Marvin), alias Silvernose, the hired killer who is threatening Frankie.
Shelleen arrives, a drunken stumblebum who is literally unable to hit the broad side of a barn when he shoots and whose pants fall down when he draws his gun. Strawn kills Frankie, and when the townspeople refuse to bring him to justice, Catherine becomes a revenge-seeking outlaw known as Cat Ballou. She and her four gang members rob a train carrying the Wolf City payroll, and Shelleen, inspired by his love for Cat (unrequited because she loves Clay), shapes up and kills Strawn. Later he casually reveals that Strawn was his brother.
Cat poses as a lady of loose morals and confronts town boss Sir Harry Percival (Reginald Denny), owner of the Wolf City Development Corporation. A struggle ensues, Sir Harry is killed, and Cat is sentenced to be hanged on the gallows. Just after the noose is placed around her neck, Uncle Jed (again as a fake preacher) cuts the rope as she falls through the trapdoor. Her gang then spirits her away in a daring rescue.
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Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)