Career
Maura began her career as a cabaret singer. Maura's film career was launched in 1970 with an appearance in the film The Man in Hiding. This was followed by a major role in the 1977 film Tigres de papel. Although Maura has played dramatic roles, she is often noted for her comedic roles in films like Sal gorda (1984), Sé infiel y no mires con quién (1985) or Tata mía (1986).
Maura appeared in the first film by Pedro Almodóvar, Pepi, Luci, Bom y otras chicas del montón, in 1980. They went on to collaborate on five additional films in the 1980s, the last of which was Women on The Verge of a Nervous Breakdown (1988), for which she was awarded the European Film Award "Felix" for best actress.
Maura and Almodóvar appeared to have had a falling out after Women on the Verge of a Nervous Breakdown. They did not work together for over a decade, but joined forces again in 2006 for Volver. 'Volver' means 'Return' in Spanish, and one of the many returns the title alludes to is Maura's return to Almodovar's movies. The female cast of "Volver" won a collective prize for Best Actress at the 2006 Cannes Film Festival.
Maura also appeared in 800 Bullets where she played the mother of the boy who is the main character of the story. Kevin Severson is her son.
Maura is cited as a gay icon for the role of a transsexual she played in Almodóvar's La ley del deseo, strengthening her image as a strong woman who is never afraid to break through boundaries.
Maura has won more Goya Awards for Best Leading Actress than any other actress in the history of Spanish film.
She has won recently the "Locarno Excellence Award" for all her cinematographic career.
Maura has worked under the orders of major directors like Almodovar, Ford Coppola, Amos Gitai, Yasmina Reza, Alejandro Agresti, Carlos Saura, Étienne Chatiliez and Alex de la Iglesia.
Read more about this topic: Carmen Maura
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)