Colours and Symbol
Carlton Trail's symbol is the Prairie Lily that grows abundantly in the fields and ditches in and around Prince Albert. The primary colours for the railway are green and yellow, the two primary colours synonymous with Saskatchewan and are present on both the Saskatchewan Provincial flag and the Prince Albert municipal flag. All engines in CTRW livery bear the lily, but are also similar to sister railways of Hudson Bay Railway and the now defunct Okanagan Valley Railway, in that the striping on the engines is the same except for colour. One possible reason for this is the constant exchange of motive power between OmniTRAX rail lines and the cost behind painting each engine a specific livery. Ironically, the only M420 ever painted in CTRW livery suffered a diesel fuel fire when the fuel return line leaked into the engine compartment, even after it was not reconmended to be run. The engine was severely damaged outside of North Battleford and was shipped to Prince Albert to be scrapped. Due to the increased cost of painting each new engine, CTRW has now resorted to patching over the reporting mark of the former railway.
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Famous quotes containing the words colours and, colours and/or symbol:
“The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite: a feeling and a love,
That had no need of a remoter charm,
By thought supplied, or any interest
Unborrowed from the eye.—”
—William Wordsworth (1770–1850)
“Your wits can’t thicken in that soft moist air, on those white springy roads, in those misty rushes and brown bogs, on those hillsides of granite rocks and magenta heather. You’ve no such colours in the sky, no such lure in the distances, no such sadness in the evenings. Oh the dreaming! the dreaming! the torturing, heart-scalding, never satisfying dreaming, dreaming, dreaming, dreaming!”
—George Bernard Shaw (1856–1950)
“The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the springs of wonder. The communication by the glance is in the greatest part not subject to the control of the will. It is the bodily symbol of identity with nature. We look into the eyes to know if this other form is another self, and the eyes will not lie, but make a faithful confession what inhabitant is there.”
—Ralph Waldo Emerson (1803–1882)