Mutual Film Company
While employed by the Mutual Film Company, Carl was chosen to accompany the Teddy Roosevelt ill-fated expedition on the River of Doubt in the Brazilian jungle. Upon arrival at the last deep forest jumping-off spot, it was learned that inadequate provision had been made to transport anyone but Colonel Roosevelt, Kermit Roosevelt, and an Army General, along with their personal photographer, leaving Carl to return to the main base with the film taken up to that point. Later it was learned that as the expedition was returning down river, an overburdened canoe swamped and all the film taken was lost. The only photo record of the expedition was safely in Carl's camera.
From this activity, Carl received an assignment from D. W. Griffith to gather factual films of Pancho Villa for use in a film. For this, Poncho Villa was to be paid $25,000. This would permit Carl to travel with him to various camps and film their activity. The plans were for a one-year project, but this was cut short after about nine months when Carl became privy to the information that the go-between had pocketed $10,000 and misinformed Poncho as to the amount paid. It was learned that there was a plan afoot to have a rifleman stationed on a hillside shoot Carl while he was operating his camera, thereby eliminating the threat of his revealing this information to Poncho with whom Carl had developed a friendship and closeness. At this point in history, there were a number of persons who had the technical and mechanical knowledge of the equipment, but they were not photographers. The artistic approach was missing, such as the use of close-ups and varied camera angles. Having learned the basics, Carl applied to an independent firm for a job as a cameraman and after testing his work was given the assignment to cover the Wilson inauguration though he was still on the staff of The Globe. It was during this assignment, through friends in Washington, that he was able to photograph Mr. Taft on his last visit to church as the president was removing his hat. This had never been photographed before, as Taft expressly forbade such photos. The coverage of the inaugural parade was viewed at the ground level where he could photograph the crowd reactions, children on the curb, and vendors selling their wares, as well as the procession. This gave a human, artistic touch not heretofore found in news films---the first human interest introduced to these films.
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