Works
Ritter's masterwork, the 19-volume Die Erdkunde im Verhältniss zur Natur und zur Geschichte des Menschen (Geography in Relation to Nature and the History of Mankind), written 1816–1859, developed at prodigious length the theme of the influence of the physical environment on human activity. It is an encyclopedia of geographical lore. Ritter unfolded and established the treatment of geography as a study and a science. His treatment was indorsed and adopted by all geographers.
The first volume of Die Erdkunde was completed in Berlin in 1816, and a part of it was published in the following year. The whole of the first volume did not appear until 1832, and the following volumes were issued from the press in rapid succession. Die Erdkunde was left incomplete at the time of Ritter's death, covering only Asia and Africa.
Many of Ritter's writings were printed in the Monatsberichte of the Berlin Geographical Society, and in the Zeitschrift für allgemeine Erdkunde. His Geschichte der Erdkunde und der Entdeckungen (1861), Allgemeine Erdkunde (1862), and Europa (1863) were published posthumously. Some of his works have been translated into English by W. L. Gage: Comparative Geography (1865), and The Comparative Geography of Palestine and the Sinaitic Peninsula (1866).
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“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
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