Style
Oz is primarily narrated by inmate Augustus Hill (Harold Perrineau), former drug dealer, convicted murderer and former drug addict. Now paralyzed from the waist down and wheelchair-bound, he appears in surreal segments and introductions that usually relate to each episode's overall theme. He also sets up scenes, introduces characters and adds epilogues. When necessary — usually when a character is introduced — Hill appears as an omniscient narrator. Used as a literary device of the writers, he narrates details of characters' crimes, their inmate identification numbers and their sentences. Hill appears as a recurring character within the show's story lines until his death at the end of the fifth season; he and other deceased characters share narration duties throughout the final, sixth season.
Hill's narrations break the fourth wall, as Hill addresses the camera (and thus the audience) directly, out of the fictional context of the scene. Hill also appears in scenes where he interacts with other characters in the story (in these, he does not address the camera). Only once did Hill appear to directly address another character with one narration; in the Season 3 episode "Unnatural Disasters," the character Simon Adebisi turns on a computer and sees Hill, dressed as a pharaoh and speaking to him. Adebisi was troubled by this event, but wrote it off as a drug-induced hallucination.
Read more about this topic: Carl Jenkins (Oz)
Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)