Background
When the Gilbert and Sullivan partnership disbanded after the production of The Gondoliers in 1889, impresario Richard D'Oyly Carte needed new works to fill the Savoy Theatre. The first of these was The Nautch Girl. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers. W. J. MacQueen-Pope commented, concerning such curtain raisers:
- This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much better treatment than they got, but those who saw them delighted in them. ... served to give young actors and actresses a chance to win their spurs ... the stalls and the boxes lost much by missing the curtain-raiser, but to them dinner was more important.
To create a curtain raiser for The Nautch Girl, Carte turned to Cellier, who was the long-time music director of the Savoy Theatre and had produced other works for Carte. Greenbank, on the other hand, was a new writer who would go on to a very productive and successful career writing lyrics for hit musicals, although he lived to the age of only 33.
Read more about this topic: Captain Billy
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