Life
Almost no records of Cao's early childhood and adulthood survive. Redology scholars are still debating Cao's exact date of birth, though he is known to be around forty to fifty at his death. Cao was the son of either Cao Fu or Cao Yong. It is known for certain that Cao Yong's only son was born posthumously in 1715; some Redologists believe this son might be Cao Xueqin.
Most of what we know about Cao was passed down from his contemporaries and friends. Cao eventually settled in the western suburbs of Beijing where he lived the larger part of his later years in poverty selling off his paintings. Cao was recorded as an inveterate drinker. Friends and acquaintances recalled an intelligent, highly talented man who spent a decade working diligently on a work that must have been Dream of the Red Chamber. They praised both his stylish paintings, particularly of cliffs and rocks, and originality in poetry, which they likened to Li He's. Cao died some time in 1763 or 1764, leaving his novel in a very advanced stage of completion. (The first draft had been completed, some pages of the manuscript were lost after being borrowed by friends or relatives.) He was survived by a wife after the death of a son.
Cao achieved posthumous fame through his life's work. The novel, written in "blood and tears", as a commentator friend said, is a vivid recreation of an illustrious family at its height and its subsequent downfall. A small group of close family and friends appears to have been transcribing his manuscript when Cao died quite suddenly in 1763-4, apparently out of grief owing to the death of a son. Extant handwritten copies of this work – some 80 chapters – had been in circulation in Beijing shortly after Cao's death and scribal copies soon became prized collectors' items.
In 1791, Cheng Weiyuan (程偉元) and Gao E (高鶚), who claimed to have access to Cao's working papers, published and edited a "complete" 120-chapter version. This is its first moveable type print edition. Reprinted a year later with more revisions, this 120-chapter edition is the novel's most printed version. Modern scholars generally think the authorship of the 1791 ending – the last 40 chapters – to be in doubt.
Read more about this topic: Cao Xueqin
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