Cantonese - Cultural Role

Cultural Role

Spoken Chinese has numerous regional and local varieties, many of which are mutually unintelligible. Most of these are rare outside their native areas, though they may be spoken outside of the country. Since the early 1900s (1909 Qing Dynasty decree), China has promoted Mandarin for use in education, the media and official communication, though a few state television and radio broadcasts are in Cantonese. However, due to the linguistic history of Hong Kong and Macau, and the use of Cantonese in many overseas Chinese communities, international usage of Cantonese has spread far out of proportion to its relatively small number of speakers in China, even though the majority of Cantonese speakers still live in mainland China.

Cantonese is the predominant Chinese language spoken in Hong Kong and Macau. In these areas, political discourse takes place almost exclusively in Cantonese, making it the only variety of Chinese other than Mandarin to be used as the primary language for the official state functions of an area. Because of their use by non-Mandarin-speaking Yue speakers overseas, the Cantonese and Taishanese languages are the primary forms of Chinese that Westerners come into contact with.

Along with Mandarin and Hokkien, Cantonese has its own popular music, Cantopop. In Hong Kong, Cantonese lyrics predominate within popular music, and many artists from Beijing and Taiwan have learned Cantonese to make Cantonese versions of their recordings. Popular native Mandarin speaking singers, including Faye Wong, Eric Moo, and singers from Taiwan, have been trained in Cantonese to add "Hong Kong-ness" to their performances.

Read more about this topic:  Cantonese

Famous quotes containing the words cultural and/or role:

    Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.
    —For the State of Illinois, U.S. public relief program (1935-1943)

    Whatever we’re doing, whoever we are, it isn’t enough. . . . Little wonder we have trouble finding role models to guide us through these shoals. No one less than God Herself could be all the things we’d like to be to all the people we’d like to feel approval from.
    Melinda M. Marshall (20th century)