Candombe Drums - Music and Description

Music and Description

Candombe is performed by a group of drummers called a cuerda. The barrel-shaped drums, or tamboriles, have specific names according to their size and function:
chico (small, high timbre, marks the tempo)
repique (medium, syncopation and improvisation)
piano (large, low timbre, melody).
An even larger drum, called bajo or bombo (very large, very low timbre, accent on the fourth beat), was once common but is now declining in use.
A cuerda at a minimum needs three drummers, one on each part. A full cuerda will have 50-100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be piano-chico-repique-chico-piano, with the row behind having repique-chico-piano-chico-repique and so on to the last row.

Tamboriles are made of wood with animal skins that are rope-tuned or fire-tuned minutes before the performance. They are worn at the waist with the aid of a shoulder strap called a talig or talĂ­ and played with one stick and one hand.

A key rhythmic figure in candombe is the clave (in 3-2 form). It is played on the side of the drum, a procedure known as "hacer madera" (literally, "making wood").

Read more about this topic:  Candombe Drums

Famous quotes containing the words music and, music and/or description:

    People today are still living off the table scraps of the sixties. They are still being passed around—the music and the ideas.
    Bob Dylan [Robert Allen Zimmerman] (b. 1941)

    Poetry is either something that lives like fire inside you—like music to the musician or Marxism to the Communist—or else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.
    F. Scott Fitzgerald (1896–1940)

    Once a child has demonstrated his capacity for independent functioning in any area, his lapses into dependent behavior, even though temporary, make the mother feel that she is being taken advantage of....What only yesterday was a description of the child’s stage in life has become an indictment, a judgment.
    Elaine Heffner (20th century)