Music
Over the years, Campbell Collegiate has established a history of excellence in its music program. The school not only offers core music classes in each grade, including IB Music, but offers choral and band as credit courses. The Grade 9 Concert Band & Concert Choir introduce new students to playing in an ensemble environment. The school features open groups for older students as well. The Jazz Band and Senior Concert Choir groups offer all students, regardless of experience, an opportunity to learn, perform, and tour with a music group. Auditioned groups are available to more senior students. For instrument players, this is the Wind Ensemble group. For singers, this means a chance to sing with the Chamber Choir. However, further opportunity is given through the jazz programs. New musicians can join Senior Green, and new singers are invited to join Jazz Express. For those seeking a further challenge, choristers can audition for the intermediate jazz vocal group Take 10. The most challenging and powerful performances come from the top two groups, usually established members of either Wind Ensemble or Chamber Choir : the jazz band Senior Gold, and the jazz choir The Classics. Both groups have gained a reputation of excellence around the province, and habitually perform out-of-province and in the United States. Since it first opened, Campbell has been distinguished by splendid teachers in all disciplines and music is not and has not been the greatest of its disciplines but characteristic was one of the early music teachers, Welshman Kenneth Roberts. Mr. Roberts not only ran music shows in the auditorium, took the Campbell choir to sing on CKCK TV, then affiliated with CBC, and led the choir at the then still open and radio-broadcasting Carmichael United Church in the east end but was a night club singer at the Hotel Saskatchewan downtown, but his students at Campbell later ran into him as a nightclub singer in the world-famous Raffles Hotel in Singapore.
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Famous quotes containing the word music:
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
“Our beauties are not ours”:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.”
—Albert Camus (1913–1960)