Influence
Mackintosh is notable as a producer for his transformation of the musical into a global, highly profitable brand, and was the first theatrical producer to recognise that both touring productions and worldwide productions (often in countries where musicals were seldom seen, such as the former eastern bloc countries in the early 90s) were potentially highly lucrative markets which could, collectively, match and even surpass the revenues generated from New York and London productions. In mounting a plethora of productions across the globe, he has maintained tight creative control of his musicals in order to ensure the consistency and quality of the productions, no matter where they are seen. As far as possible, productions worldwide of Mackintosh musicals use the same staging, production design, lighting, front-of-house design, and orchestrations as their London and New York counterparts. This is a departure from previous practice, where international productions of West End or Broadway musicals would often be licensed out to foreign producers and entirely reconceived locally, with highly variable and often substandard results.
Mackintosh has also had considerable success in bringing legitimate theatre directors (such as the Royal Shakespeare Company's Trevor Nunn and Nicholas Hytner) and technicians to the world of musical theatre.
He is renowned for how closely he works with the creative team of a production.
He has recently expressed his interest in producing musicals from the otherwise neglected Asian and African regions, citing that the potential in these markets is inexhaustible.
Mackintosh's Delfont Mackintosh group owns seven London theatres, the Prince Edward, the Prince of Wales, the Novello, the Queen's, the Gielgud, the Wyndham's, and the Noël Coward.
Read more about this topic: Cameron Mackintosh
Famous quotes containing the word influence:
“The woman who can’t influence her husband to vote the way she wants ought to be ashamed of herself.”
—E.M. (Edward Morgan)
“Constitutional statutes ... which embody the settled public opinion of the people who enacted them and whom they are to govern—can always be enforced. But if they embody only the sentiments of a bare majority, pronounced under the influence of a temporary excitement, they will, if strenuously opposed, always fail of their object; nay, they are likely to injure the cause they are framed to advance.”
—Rutherford Birchard Hayes (1822–1893)
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—Angelina Grimké (1805–1879)