Background
In September, 1894, Alfred Stieglitz returned to New York after an extended tour in Europe. He found both the quality and quantity of what he considered to be artistic photography, such as that promoted by the Linked Ring in Britain, was much greater in Europe than in the United States, and he was determined to do something to advance fine art photography in America. He turned to the two major photographic clubs in New York, the Society of Amateur Photographers and the New York Camera Club, for assistance in his mission but received little interest from either organization. The critic Sadakichi Hartmann noted that the clubs at that time were "as good as dead. There was no vitality in them. Photography was merely as pastime to them, and all they had to show were their innumerable portraits, transcripts of nature, views, and snapshots as is in the power of almost anyone to produce."
Stieglitz set about to change this situation, and within eighteen months he and his friends succeeded in bringing about a merger of the two clubs. He immediately took over as Vice President of the newly formed and rejuvenated organization, now called The Camera Club of New York. He envisioned the new organization as the American beacon of fine art photography, and to help promote his vision he proposed expanding the former newsletter of the club into a full-fledged journal with himself as editor. Later Stieglitz would write "As a condition precedent to undertaking this labor of love and enthusiasm, it was stipulated by our Editor that he would have unhampered and absolute control over all matters, direct or remote, relating to the conduct of the proposed publications; in short, Camera Notes, while published for the club, was nevertheless an independent institution."
Read more about this topic: Camera Notes
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