Production
Calendar Leaves was shot in Coquitlam, in the usual speedy Martin Dudzik manner in five days. Port Moody Secondary School was used for the interior shots. For the day of interior shooting, short story author Michael Serebriakov was invited on set.
For the opening scene, the crew spent the morning painstakingly recreating a bus stop. Because of Dudzik's love for close shots, no part of the replica bus stop made it into the final cut.
Tyler Kranz was initially slated to be the boom operator, but the actor cast to play Steven fell sick just before production. Many consider Kranz's performance the best of the movie.
During one day of production, the set was visited by a dreary notorious Vancouver rain. Although soaking the crew, it provided for some of the more memorable scenes of the movie.
According to Dudzik, Kranz turned out to be a sub-par narrator, so he took over personally. To get the "narratory" voice, he ate copious amounts of ice cream before recording his lines.
As a joke, newbies were told the movie would star Ed Harris, because of Peter Nicholas Smith's uncanny resemblance to the actor.
Read more about this topic: Calendar Leaves
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)