Cait Brennan - Career

Career

A songwriter and vocalist with an unusual tenor-contralto range, Brennan's performance has been praised as "glorious" by author Neil Gaiman. Brennan's music combines melodic 70s glam rock, soul and piano rock sensibilities with dense vocal harmonies and cabaret, Vaudeville, Music hall and Musical theatre influences. Her lyrics frequently invoke historical and mythological figures and themes to create hook-laden, often wryly humorous character tales of faded heroes, road-weary romantics and quixotic dreamers. She has frequently cited the band Sparks in particular as an influence. Dubbed a "smart, melodic singer-songwriter" by Serene Dominic of Phoenix New Times, Brennan's 2012 dates include the International Pop Overthrow Tour in Phoenix and Los Angeles as well as stops in San Francisco and throughout Arizona. As a solo performer, Brennan has also appeared at Tempe Center for the Arts "In The Spotlight" songwriters-in-the-round showcase Brennan has also issued recordings as "M. C. Brennan" as well as her glitter-rock alter ego "Kit Kelley".

Read more about this topic:  Cait Brennan

Famous quotes containing the word career:

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)