C. M. Russell Museum Complex
C.M. Russell Museum Complex is an art museum located in the city of Great Falls, Montana, in the United States. The museum's primary function is to display the artwork of Great Falls "cowboy artist" Charles Marion Russell, for whom the museum is named. The museum also displays illustrated letters by Russell, work materials used by him, and other items which help visitors understand the life and working habits of Russell. In addition, the museum displays original 19th, 20th, and 21st century art depicting the American Old West and the flora, fauna, and landscapes of the American West. In 2009, the Wall Street Journal called the institution "one of America's premier Western art museums." Located on the museum property is Russell's log cabin studio, as well as his two-story wood frame home. The house and log cabin studio were designated a National Historic Landmark in 1965, and added to the National Register of Historic Places in 1976.
Beginning in 1969, the museum co-hosted the C.M. Russell Auction of Original Western Art—an auction of 19th, 20th, and 21st century art of the American West whose proceeds benefit the museum. The auction has received media attention in Australia, Canada, France, Germany, Japan, New Zealand, the United Kingdom, and the United States. In 2010, the two co-hosts parted ways, and the C.M. Russell Museum inaugurated a new auction, "The Russell."
Read more about C. M. Russell Museum Complex: Attendance and Revenues, Governance and Staff, Russell House and Studio
Famous quotes containing the words russell, museum and/or complex:
“How like a prodigal doth nature seem,
When thou, for all thy gold, so common art!
Thou teachest me to deem
More sacredly of every human heart,
Since each reflects in joy its scanty gleam
Of Heaven, and could some wondrous secret show,
Did we but pay the love we owe,
And with a child’s undoubting wisdom look
On all these living pages of God’s book.”
—James Russell Lowell (1819–1891)
“Soaked by the sparkling waters of America.”
—Hawaiian saying no. 2740, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.”
—Terry Eagleton (b. 1943)