Works
His first book, Lies, was published in 1969, and since then he has published many collections of poetry, culminating in his Collected Poems, of which Peter Campion wrote in The Boston Globe: “Throughout the five decades represented in his new Collected Poems, Williams has maintained the most sincere, and largest, ambitions. Like Yeats and Lowell before him, he writes from the borderland between private and public life…. join skeptical intelligence and emotional sincerity, in a way that dignifies all of our attempts to make sense of the world and of ourselves. C. K. Williams has set a new standard for American poetry.”
Another collection, Wait, appeared in 2010, and another, Writers Writing Dying, will come out in 2012.
He has written a memoir, Misgivings, which appeared in 2000, a collection of essays, Poetry and Consciousness, 1999, and critical study of Walt Whitman, On Whitman, 2010. A new collection of essays, In Time: Poets, Poems and the Rest, will be published in 2012.
Williams is also an acclaimed translator, notably of Sophocles’ Women of Trachis and Euripides’ The Bacchae, as well as of the Polish poet Adam Zagajewski and the French poet Francis Ponge.
He has also published several children’s books.
Read more about this topic: C. K. Williams
Famous quotes containing the word works:
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (1910–1986)
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms 107:23-24.
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)