Works
His first book, Lies, was published in 1969, and since then he has published many collections of poetry, culminating in his Collected Poems, of which Peter Campion wrote in The Boston Globe: “Throughout the five decades represented in his new Collected Poems, Williams has maintained the most sincere, and largest, ambitions. Like Yeats and Lowell before him, he writes from the borderland between private and public life…. join skeptical intelligence and emotional sincerity, in a way that dignifies all of our attempts to make sense of the world and of ourselves. C. K. Williams has set a new standard for American poetry.”
Another collection, Wait, appeared in 2010, and another, Writers Writing Dying, will come out in 2012.
He has written a memoir, Misgivings, which appeared in 2000, a collection of essays, Poetry and Consciousness, 1999, and critical study of Walt Whitman, On Whitman, 2010. A new collection of essays, In Time: Poets, Poems and the Rest, will be published in 2012.
Williams is also an acclaimed translator, notably of Sophocles’ Women of Trachis and Euripides’ The Bacchae, as well as of the Polish poet Adam Zagajewski and the French poet Francis Ponge.
He has also published several children’s books.
Read more about this topic: C. K. Williams
Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
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We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
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This hurts most, this ... that, after all, we are paid
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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