Works
His first book, Lies, was published in 1969, and since then he has published many collections of poetry, culminating in his Collected Poems, of which Peter Campion wrote in The Boston Globe: “Throughout the five decades represented in his new Collected Poems, Williams has maintained the most sincere, and largest, ambitions. Like Yeats and Lowell before him, he writes from the borderland between private and public life…. join skeptical intelligence and emotional sincerity, in a way that dignifies all of our attempts to make sense of the world and of ourselves. C. K. Williams has set a new standard for American poetry.”
Another collection, Wait, appeared in 2010, and another, Writers Writing Dying, will come out in 2012.
He has written a memoir, Misgivings, which appeared in 2000, a collection of essays, Poetry and Consciousness, 1999, and critical study of Walt Whitman, On Whitman, 2010. A new collection of essays, In Time: Poets, Poems and the Rest, will be published in 2012.
Williams is also an acclaimed translator, notably of Sophocles’ Women of Trachis and Euripides’ The Bacchae, as well as of the Polish poet Adam Zagajewski and the French poet Francis Ponge.
He has also published several children’s books.
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Famous quotes containing the word works:
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
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“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)