C. D. Broad - Works

Works

  • Perception, physics and reality. An Enquiry into the Information that Physical Science can Supply about the Real. London: Cambridge University Press, 1914 (PDF; 54,07 MB)
  • Scientific thought. New York: Harcourt, Brace and Co., 1923
  • The Mind and its place in nature. London: Kegan Paul, 1925
  • The Philosophy of Francis Bacon. Cambridge: Cambridge University Press, 1926
  • Five types of ethical theory. New York: Harcourt, Brace and Co., 1930
  • War Thoughts in Peace Time. London: Humphrey Milford, 1931
  • An examination of McTaggart's philosophy. Vol. 1. Cambridge University Press, 1933
  • Determinism, interdeterminism and libertarianism. Cambridge University Press, 1934
  • An examination of McTaggart's philosophy. Vol. 2. Cambridge University Press, 1938
  • Ethics and the History of Philosophy, London: Routledge, 1952; Reprint 2000, ISBN 0-415-22530-2
  • Religion, Philosophy and Psychic Research, London: Routledge, 1953; Reprint 2000, ISBN 0-415-22558-2
  • Human Personality and the Possibility of Its Survival. University of California Press, 1955
  • Personal Identity and Survival. Society for Psychical Research, London 1958
  • Lectures on Psychical Research. Incorporating the Perrott Lectures given in Cambridge University in 1959 and 1960. New York: Humanities Press, 1962 (contains Saltmarsh's Investigation of Mrs Warren Elliott's Mediumship)
  • Induction, Probability, and Causation. Selected Papers of C. D. Broad, Dordrecht: Reidel, 1968
  • Broad's Critical Essays in Moral Philosophy, New York: Humanities Press, 1971
  • Leibniz: An Introduction, Cambridge: Cambridge University Press, 1975, ISBN 0-521-20691-X
  • Berkeley's Argument. Haskell House Pub Ltd., 1976
  • Kant: An Introduction, Cambridge: Cambridge University Press, 1978, ISBN 0-521-21755-5
  • Ethics, Dordrecht: Nijhoff, 1985

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    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
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    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
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