Origins
Alexander Bard, whose previous music projects had included Army of Lovers, Vacuum and Alcazar, started work on a new project during 2003, working with the record producer Anders Hansson who became the band's co-producer. They auditioned over 35 different vocalists before meeting former Popstars contestant Martin Rolinski who was duly chosen as lead singer and Caroline McDowell backing vocals. Marina Schiptjenko, an art-dealer and a one-time member of Vacuum, then came on board as the third member of what became Bodies Without Organs.
There was initially a suggestion that the band would be a four-piece including Jean-Pierre Barda from Army of Lovers, but this did not come to fruition, and Barda's explicit involvement extended as co-writing the songs "Living In A Fantasy" (BWO's first single) and "European Psycho", both included on BWO's first album "Prototype" (It's odd that a picture of Barda turned up in the inner booklet of this album), and appearing on the videos "Conquering America", "Sixteen Tons of Hardware", "Open Door" and "The Bells of Freedom", in which Dominika Peczynski, also from Army of Lovers did make a cameo too.
The name of the band derives from the philosophical term body without organs, developed by French philosopher Gilles Deleuze and psychoanalyst Félix Guattari in their 1972 book Anti-Œdipus. Bard, an author and lecturer of philosophy, has referred to the ideas of Deleuze in his books "The Netocrats", "The Global Empire", and "The Body Machines", all co-written with Jan Söderqvist.
At no point has BWO been a full-time project for any of the band's members - Bard continues his other career, notable in its own right, as a philosopher, while Schiptjenko remains an art dealer in Stockholm and Rolinski has a Master of Science in Engineering and works in that field.
Read more about this topic: BWO (band)
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)