Career
McQueen's first role would become her most identifiable – as Prissy, the young maid in Gone with the Wind, uttering the famous words: "I don't know nothin' 'bout birthin' babies!" Her distinctive, high-pitched voice was noted by a critic who described it as, "The isty-little voice fading over the far horizon of comprehension". While the role is well known to audiences, McQueen did not enjoy playing the part and felt it was demeaning to African Americans.
She also played an uncredited bit part as a sales assistant in The Women (1939), filmed after Gone with the Wind but released before it. She also played Butterfly, Rochester's niece and Mary Livingstone's maid in the Jack Benny radio program, for a time during World War II. She appeared in an uncredited role in Mildred Pierce (1945) and played a supporting role in Duel in the Sun (1946). By 1947, she had grown tired of the ethnic stereotypes she was required to play and ended her film career.
From 1950 until 1952 she played Oriole, another racially stereotyped role, on the television series Beulah. In a lighter moment, she appeared in a 1969 episode of The Dating Game.
Offers for acting roles began to dry up around this time, and she devoted herself to other pursuits including political study; she received a Bachelor's degree in political science from City College of New York in 1975. In 1979 McQueen won a Daytime Emmy Award for her performance as Aunt Thelma, a fairy godmother in the ABC Afterschool Special episode "The Seven Wishes of Joanna Peabody." She had one more role of substance in the 1986 film The Mosquito Coast.
Read more about this topic: Butterfly McQueen
Famous quotes containing the word career:
“John Browns career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (18171862)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I restore myself when Im alone. A career is born in publictalent in privacy.”
—Marilyn Monroe (19261962)