Appearance
Like the other Cenobites, Butterball has undergone extreme body modification and ritual scarification; other than his massive size, Butterball's other distinguishing feature is a series of stitches through his eyelids, which he usually keeps hidden by a pair of round sunglasses. Although he is apparently a high-ranking member of the Cenobites in the novella, and has the most dialogue in the book, in the films he is the most removed of Pinhead's entourage. Whereas Chatterer communicates with his fellow Cenobites by clicking his teeth, and physically restrains victims, and the Female Cenobite consults with Pinhead about the group's actions, Butterball is completely stationary and silent, occasionally licking his lips with a bloated tongue. He only becomes physically aggressive during climactic battles, attacking Kirsty at the end of the original Hellraiser, Channard at the end of Hellbound, and Kirsty again in the seventh issue of Barker's BOOM! Hellraiser series.
Read more about this topic: Butterball Cenobite
Famous quotes containing the word appearance:
“The complaint ... about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernes, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.”
—E.B. (Elwyn Brooks)
“Hence, the less government we have, the better,—the fewer laws, and the less confided power. The antidote to this abuse of formal Government, is, the influence of private character, the growth of the Individual; the appearance of the principal to supersede the proxy; the appearance of the wise man, of whom the existing government, is, it must be owned, but a shabby imitation.”
—Ralph Waldo Emerson (1803–1882)
“The aim of science is to apprehend this purely intelligible world as a thing in itself, an object which is what it is independently of all thinking, and thus antithetical to the sensible world.... The world of thought is the universal, the timeless and spaceless, the absolutely necessary, whereas the world of sense is the contingent, the changing and moving appearance which somehow indicates or symbolizes it.”
—R.G. (Robin George)