The Burton grip is a method of holding two mallets in each hand in order to play a mallet percussion instrument, such as a marimba or a vibraphone, using four mallets at once. It was developed by jazz vibraphonist Gary Burton.
It is formed as a variant of the cross grip, with the mallets held as follows:
Seen with the palm facing upwards, the inside mallet is placed and crossed over the outside mallet. The end of the inside mallet is held with little finger, and outside mallet is held between index and middle finger. The thumb is generally placed inside the inside mallet, but it sometimes is placed between the mallets to widen the interval. The inner mallet can be separately articulated (the inner mallets are generally used for melodies) by gripping it with the index finger and the thumb and pivoting it over the outer mallet. When necessary, the outer mallet can be separately articulated by widening the interval so the mallets come as close to a right angle as possible and giving a swift downward flick with the wrist and middle and index fingers.
Famous quotes containing the words burton and/or grip:
“One was never married, and that’s his hell; another is, and that’s his plague.”
—Robert Burton (1577–1640)
“While the State becomes inflated and hypertrophied in order to obtain a firm enough grip upon individuals, but without succeeding, the latter, without mutual relationships, tumble over one another like so many liquid molecules, encountering no central energy to retain, fix and organize them.”
—Emile Durkheim (1858–1917)