First Generation
Until 2000, rock and roll was the dominant music genre in Myanmar. The Burmese hip hop scene started in the late 1980s with the rapper Myo Kyawt Myaing although songs were plain rapping music rather than typical hip hop. In late 1990s, a Yangon-based four-member band named Acid started introducing old school hip hop in night clubs of Yangon, and became popular among Yangon's youth. Acid, widely considered to be the pioneers of Burmese hip-hop, made their debut in 2000 with Sa-Tin-Gyin (Beginning).
Their success attracted other hip-hop artists and groups, now known as the "first generation" of Burmese hip-hop, like Theory (Barbu and Thxa Soe), NS (Kyaw Thu Soe and Lin Lin) and Too Big. Most of the first generation artists used old school hip-hop. Still, hip hop was new to the Burmese and not widely accepted yet by the public at large. To find wider acceptance, some first-generation artists such as Sai Sai Kham Hlaing and Yé Lay mixed hip-hop with pop, and found commercial success.
Read more about this topic: Burmese Hip Hop
Famous quotes containing the word generation:
“‘Society’ in America means all the honest, kindly-mannered, pleasant- voiced women, and all the good, brave, unassuming men, between the Atlantic and the Pacific. Each of these has a free pass in every city and village, ‘good for this generation only,’ and it depends on each to make use of this pass or not as it may happen to suit his or her fancy.”
—Henry Brooks Adams (1838–1918)
“We were that generation called “silent,” but we were silent neither, as some thought, because we shared the period’s official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man’s fate.”
—Joan Didion (b. 1935)