First Generation
Until 2000, rock and roll was the dominant music genre in Myanmar. The Burmese hip hop scene started in the late 1980s with the rapper Myo Kyawt Myaing although songs were plain rapping music rather than typical hip hop. In late 1990s, a Yangon-based four-member band named Acid started introducing old school hip hop in night clubs of Yangon, and became popular among Yangon's youth. Acid, widely considered to be the pioneers of Burmese hip-hop, made their debut in 2000 with Sa-Tin-Gyin (Beginning).
Their success attracted other hip-hop artists and groups, now known as the "first generation" of Burmese hip-hop, like Theory (Barbu and Thxa Soe), NS (Kyaw Thu Soe and Lin Lin) and Too Big. Most of the first generation artists used old school hip-hop. Still, hip hop was new to the Burmese and not widely accepted yet by the public at large. To find wider acceptance, some first-generation artists such as Sai Sai Kham Hlaing and Yé Lay mixed hip-hop with pop, and found commercial success.
Read more about this topic: Burmese Hip Hop
Famous quotes containing the word generation:
“In all our efforts to provide “advantages” we have actually produced the busiest, most competitive, highly pressured and over-organized generation of youngsters in our history—and possibly the unhappiest. We seem hell-bent on eliminating much of childhood.”
—Eda Le Shan (b. 1922)
“Today’s comedian has a cross to bear that he built himself. A comedian of the older generation did an “act” and he told the audience, “This is my act.” Today’s comic is not doing an act. The audience assumes he’s telling the truth. What is truth today may be a damn lie next week.”
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