Buddy Cop Film

Buddy Cop Film

The "buddy cop" is a subgenre of buddy films and crime films with plots involving two men of very different and conflicting personalities who are forced to work together to solve a crime and/or defeat criminals, sometimes learning from each other in the process. The two men are normally cops, but some films, such as 48 Hrs. (cop and an ex-con), that are not about two cops may still be referred to as a buddy cop film, or as a member of a larger genre known as buddy films.

Frequently, although not always, the two heroes are of different ethnicity or cultures. However, regardless of ethnicity, the central difference is normally that one is "wilder" than the other: a hot-tempered iconoclast is paired with a more even-tempered partner. Often the "wilder" partner is the younger of the two, with the even-tempered partner having more patience and experience. These films sometimes also contain a variation on the good cop/bad cop motif, in which one partner is kinder and law-abiding, while the other is a streetwise, "old school" police officer who tends to break (or at least bend) the rules. Another frequent plot device of this genre is for one of the men be removed from his natural element: sometimes in a foreign country or new city, a "desk jockey" used to paperwork being forced into the field, or a rookie or non-cop partner who is unfamiliar with police work. When this is done, the other man acts as a guide to the unfamiliar.

In his review of Rush Hour, Roger Ebert coined the term "Wunza Movie" to describe this subgenre, a pun on the phrase "One's a..." that could be used to describe the contrasts between the two characters in a typical film.

The cliché was satirized in the film Last Action Hero. While the movie in itself was a buddy cop film (i.e. pairing a fictional cop with a real world boy), the film's police department obligatorily assigned all cops a conflicting buddy to work with.

A subgenre of the buddy cop film is the buddy cop-dog movie, which teams a cop with a dog, but uses the same element of unlikely partnership to create comedic hijinks. Examples include Turner & Hooch, Top Dog and K-9.

Read more about Buddy Cop Film:  Origins, Buddy Cop Films From US Cinema, Non-US Buddy Cop Films, Parodies in Pop Culture

Famous quotes containing the words buddy and/or film:

    So, my sweetheart back home writes to me and wants to know what this gal in Bombay’s got that she hasn’t got. So I just write back to her and says, “Nothin’, honey. Only she’s got it here.”
    Alvah Bessie, Ranald MacDougall, and Lester Cole. Raoul Walsh. Sergeant Tracey, Objective Burma, to a buddy (1945)

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)